Je Re​-​Reviens Geneviève

by Lesbo Vrouven

/
  • Streaming + Download

    Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app.

      name your price

     

  • Poster/Print + Digital Album

    For 5$ and the price of a stamp you can have 5 JE RE-REVIENS GENEVIÈVE souvenir postcards with a personal Lesbo Vrouven message.
    Pour 5$ plus le prix d'un timbre, tu peux recevoir 5 cartes postales JE RE RE GE.

    Includes unlimited streaming of Je Re-Reviens Geneviève via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 7 days
    edition of 100 

      $5 CAD or more 

     

1.
2.
3.
4.
5.
6.
7.
8.

about

Digital release and show 
Lancement numérique et spectacle
Bal du Lézard, 28 avril 2017, 21h00 Gratuit
/ HotKid + Miesha & The Spanks
LV va jouer l’intégral de Je Reviens Geneviève pour la première fois depuis le 19 mai 2006! 

JE RE RE GE. 11 plus tard. 8 reprises magnifiques.

LESBO VROUVEN présente la version semi-anniversaire de son premier album paru en 2006, sous le titre évocateur de JE RE-REVIENS GENEVIÈVE. C'est les mêmes 8 chansons, mais 11 ans plus tard, reprises par 8 groupes d'amis exceptionnels. OROMOCTO DIAMOND s'occupe de faire une courte INTRO Plancton-punk. CLINIC DELAY, les Basques bondissants, transforme WE ARE WEAPONS en tuerie afro-acid-electro. HALFBAKED le groupe éternel de Montréal chante rapidement n'importe quoi sur THE GOLDEN AGE OF... SWEAT LIKE AN APE! de Bordeaux s'occupe du hit CROSSFIRE et groove plus que sur la version originale. Le sensuel ANATOLE transforme THE AGENCY en dirty-retro-electro-grind style Los Angeles. Les HEADACHE24 deviennent des crooners d'après guerre le temps de chanter le malheur de NEW BERLIN. Le tout nouveau groupe SARAJEVO & MOI, qui à inspiré l'idée de l'album de cover avec leur version de JE REVIENS GENEVIÈVE, sont lumineux et retro-goth en même temps. L'album se termine avec le mythique Beauceron NAVET CONFIT, qui fait de OH SO SAD une traduction rigolo-grunge qui devient C'est si triste, C'est si triste. Le visuel sexy fluo de Patrik Dubé est la deuxième toile du triptyque Je Reviens Geneviève de 2006. Tout ça est accompagné d'un livret PDF contenant des photos et des archives des 12 premiers mois de Lesbo Vrouven.

JE RE RE GE. 11 years later. 8 amazing covers.

LESBO VROUVEN presents the semi-anniversary version of their 2006 debut album, under the evocative title of JE RE-REVIENS GENEVIÈVE. It’s the same 8 songs, but 11 years later and reworked by 8 exceptional groups of friends. OROMOCTO DIAMOND offer up a short plankton-punk INTRO. CLINIC DELAY, the ever-bounding Basques, transform WE ARE WEAPONS into a afro-acid-electro massacre. Timeless Montreal group HALFBAKED, quickly sing just about anything on THE GOLDEN AGE OF.... Bordeaux’s SWEAT LIKE AN APE! tackle the hit CROSSFIRE, leaving us with an even groovier version than the original. The sensual ANATOLE gives THE AGENCY a Los Angeles style dirty-retro-electro-grind update. HEADACHE24 become post-war crooners when it comes time to sing the affliction of NEW BERLIN. The brand new group SARAJEVO & MOI, who inspired the idea of a cover album with their version of JE REVIENS GENEVIÈVE, show us they are luminous and retro-goth all at once. The album comes to a close with the mythical Beauceron NAVET CONFLIT, who’s taken OH SO SAD and created a rigolo-grunge translation, C'EST SI TRISTE, C'EST SI TRISTE. The sexy fluorescent visual by Patrick Dubé is the second canvas in the 2006 Je Reviens Geneviève tryptic. All of this is accompanied by a PDF booklet containing photos and an archive of the first 12 months of LESBO VROUVEN.


Merci: Geneviève, Jean-Christophe Bédard Rubin, Cynthia Bellemare Mickaël Bergeron, Sophie Bernier, Charles Bureau, David Cantin, Antoine Caron, Arnaud Cordier, Vincent Courtemanche, Guillaume D. Cyr, Daniel Dalpé, Yves Drolet, Patrik Dubé Louise Evans, Sylvain Gauvreau, Richard Gauvreau, Pierre Girard, Michel Groleau, Paul Hammond, Renaud Jobin-Robitaille, Fred Lebrasseur, Sébastien Leduc, Erin MacMillan Catherine Mathys, Meg McLaughlin Pascale Mercier, Patrick Ouellet, Annie Q, Maëlle Ratheau, Clémence Risler, Émilie Simard, Julie Théberge, Max Vrouven, (swedish) Death Polka, As Ever, B for Eveline, Beirut, Ben Ross Besnard Lakes, Boo Hoo, Brigitte Bordel, Dog Day, Good Night Night, Hot Hot Heat, HotKid, Lesbians on Ecstasy, Les Bouffons Psychotiques, Les Georges Leningrad, Les Goules, Les Loques, Mothra, Muffins, Prider Tiger, Second Hand Virgin, Secret Machines, Sharp Like Knives, Supersystem, The Jade Epidemic, The Locust, The Nymphets, The Ultimate Power Duo, Tokyo Police Club, Tuxedo Grrrs, Uberko, Windom Earle, Xavier Caféine, Zombi, Pinnacle people CHYZ, CFOU, CFUR CJAM Baromètre, Bande à part, Bang Bang GOEGO, P572

credits

released April 28, 2017

CRÉDITS 2006:

Guitar, Vocals : Sam Murdock
Bass, Vocals : Hugo Lebel
Drums, Vocals : Max Vrouven

Recording, Mixing, Mastering : Yves Drolet
Artwork : Patrik Dubé
Layout : Sam Murdock


CRÉDITS 2017:

1 - OROMOCTO DIAMOND - INTRO
Sam Murdock : Bass
Jean-Sébastien Grondin : Drums
Recording + Mix : Drack Sumom
Recorded at Plancton Oppoli

2 - CLINIC DELAY - WE ARE WEAPON
Jérôme "Vibe Ribbon" de Watteville : Juno 106, DR 660, TX81Z, MicroKorg, Vocoder
Peio "Taxi Bruce" Erramouspe: Juno 106, TR-707, Doepfer Dark Energy
Stéphane "Pollux" Paulini: Fender Telecaster, Chant
Mix : Sabri Bouchfar + Clinique Delay
Enregistré par La Clinique @ La Clinique (Bayonne) en décembre 2016

3 - HALF BAKED - THE GOLDEN AGE OF...
Charles Blondeau: Drums
Yann Godbout: Bass, Guitare, Voix
Drum enregistré au studio Madame Wood, le reste enregistré chez nous.

4 - SWEAT LIKE AN APE! - CROSSFIRE
Sol Hess: Vocals, Guitar
Pierre Guignard: Guitar
Oscar Galea: Bass
Jérôme d'Aviau: Drums
Recorded, mixed and mastered by Stephan Krieger at Studio Amanita in October 2016.

5 - ANATOLE - L'AGENCE
Alexandre Martel : Voix, Synthétiseurs
Simon Paradis: Synthétiseurs, Programmation
Jean-Michel Letendre-Veilleux: D-Beam
Réalisation : Alexandre Martel, Simon Paradis
Mix: Simon Paradis

6 - HEADACHE24 - NEW BERLIN
Patrick Lavoie : Guitar
Hugo Lebel : Vocal, Guitar, Beatbox
Yves Marquis : Bass
Julie Theberge : Synth
Enregistré au Pantoum par JE Collin Marcoux
Mix + xtra synth : JM Dumas

7 - SARAJEVO & MOI - JE REVIENS GENEVIÈVE
Michel Mercier : Bass, Keyboards, Programming
Sébastien Rouleau : Keyboards
Juliette Décembre : Vocals, Keyboards

8 - NAVET CONFIT - C'EST SI TRISTE, C'EST SI TRISTE
Navet Confit : Toute, Chien, LOL

/ / /

Mastering : Hole Bugle
Assistant to the regional manager : Madam Chisel June
Artwork : Patrik Dubé
Digital Layout : Sam Murdock
Correction : Magali Paquin, Christine LeMessurier

Digital Booklet
Illustration: Patrick Dubé, Renaud Jobin-Robitaille
Yo Rodeo, Boo Hoo, We Are Old Skulls, Pishier

Photo: Julie Théberge, Guillaume D. Cyr
Marie-Renée Grondin, Meghan Kathleen McLaughlin
Renaud Jobin-Robitaille, God Under Siege, Catherine Mathys

Word: Patrick Ouellet, Clémence Risler, Karine Garneau
Annie Q, David Cantin

P572 D 72

tags

license

all rights reserved

about

Lesbo Vrouven Québec, Québec

Post-Pink and Pance-Dunk since 2006

-Sam Murdock
-Hugo Lebel
-Jean-Christophe Bédard Rubin

contact / help

Contact Lesbo Vrouven

Streaming and
Download help

Redeem code

Track Name: Oromocto Diamond - Intro
(This is the beginning and the foundations of subsistence and worship)
Track Name: Clinique Delay - We are weapons
(We are weapons. We are dancing invincible and carefree. We are dancing feeling the lust and the desire. We are dancing feeling invincible and charismatic)

We are evil, we are hatred
We are hatred on the dance floor
Sure is fun to sing about life
How much longer can this last?
We are weapons, you’re a war zone
and we’re going to kill your feet

We are evil, we are hatred
We are hatred on the dance floor
Gogo girls and no show boys
We are weapons, you’re a war zone
and we’re going to kill your feet

We are evil, we are hatred
We are hatred on the dance floor
Juju lips and boring kisses
How much longer can this last?
We are weapons, you’re a war zone
and we’re going to kill your feet
Track Name: Half Baked - The Golden Age of...
(After the bombs and the bullets on the dance floor, the Golden age of the dangerous first kiss)
We are in the Golden Age Of…
Track Name: Sweat Like an Ape! - Crossfire
(In terms of design, this is one of the most important songs as it describes the creation of love from a combination of religion, romance, rebellion, and infatuation)

Crossfire
I understand the fascination
Crossfire
You can’t dance with a sore back that’s killing you

Crossfire
You are the size of love
Crossfire
Your pirate knees are killing me
Track Name: Anatole - L'Agence
(The agency is a resistant force of violence and seduction. The devastating feeling of shared love)

Cette agence-là, de L à A, te sert de la grind de qualité.

The agency from L to V, MM, it’s good for you, it’s good for you
The agency from L to B, MM, it’s good for you, it’s good for you
The agency from L to E, MM, it’s good for you, it’s good for you
From L to V, its hell to be, MM, it’s good for you, it’s good for you
Track Name: Headache24 - New Berlin
(Understanding the distance, but refusing to let the city burn by creating new ways of adoring. This is the political destruction of common ideals)

I found a new way to get into your house
I found a new way to get into your heart
And Berlin is burning
How does it feel
to burn with me?
Now watch me burn
Track Name: Sarajevo & Moi - Je Reviens Geneviève
(We are dead after 365 days; the aftermath is going to be painful. The distance, the sobriety. We will never play together again)

You had style, you had grace
Now strike a pose

She’s back to white, I’m still selling black
Now strike a pose

The distance, the sobriety. We will never play together again
We all know that love will destroy us in the end
Track Name: Navet Confit - C'est si triste, c'est si triste
(This is the haunting ending. We are young and yet miserable, dancing is the only way out. We might never love again)

C'est si triste, c'est si triste

Was that promise of salvation fulfilled or was it just another day in the never ending fight of authority vs. orphans?

In such an ugly time the real protest is beauty
Love will destroy us in the end

Oh so sad, Oh so sad. She’s leaving, she’s leaving